![]() In 2009, he was created a honorary member of the Polish Composers’ Union. In 1999, he won the President of the City of Katowice Award, while in 2005 he was awarded the Knight’s Cross of the Polonia Restituta order, the Commission of National Education Medal, and the Medal for Merit in Culture ‘Gloria Artis’. He has also won the Polish Composers’ Union’s annual prize and the Minister of Culture and Arts prize. His pieces have twice represented the Polish Radio at the UNESCO International Rostrum of Composers in Paris. He has won numerous prizes in composing competitions. Eugeniusz Knapik has given multiple performances during the Warsaw Autumn International Festival of Contemporary Music. Messiaen’s Vingt regards sur l’enfant-Jésus ( Twenty Contemplations on the Infant Jesus) cycle the recording of the piece, made in 1979 (published by the DUX label in 2011), won the Fryderyk 2012 and the Diapason d’Or 2012 awards. He rose to fame as the first Polish performer of O. He has been continuously performing as a soloist, as well as in duos and ensembles, both in Poland and abroad. In 1976, he was granted a scholarship from the French Government, enabling him to undertake composition studies with Olivier Messiaen in Paris. Her passion for the transformative power of arts together with business acumen allows her to deliver effective programs across the arts and education sectors.įrom 1970 to 1976, Eugeniusz Knapik studied at the State Higher School of Music (now the Karol Szymanowski Academy of Music) in Katowice, tutored by Henryk Mikołaj Górecki (composition) and Czesław Stańczyk (piano). On behalf of the Adam Mickiewicz Institute, she coordinated the celebrations of Witold Lutosławski’s Year and was the manager of I, CULTURE Orchestra, an educational orchestral project supporting development in Eastern Europe.Įwa simultaneously combines orchestral management, creating and supporting musical projects with prominent organizations around the world. with the London Philharmonic Orchestra, Philharmonia Orchestra, London Symphony Orchestra, English National Opera, Berliner Philharmoniker, Los Angeles Philharmonic, Chicago Symphony Orchestra, Royal Opera House, or Cité de la Musique. Her business model of the “Polska Music” programme encouraged international cooperation, e.g. Before taking the position in NOSPR Ewa Bogusz-Moore acted as a deputy director at the Adam Mickiewicz Institute where she was entrusted with developing the strategy of promoting Polish classical music throughout the world. She started her musical career as a cellist. In April 2019 she was invited to join the European Concert Hall Organization. The Media Partner is Polish Music Information Centre.Įwa Bogusz-Moore – general director of the Polish National Radio Symphony Orchestra in Katowice. The Strategic Partner of the competition is Polskie Wydawnictwo Muzyczne PWM. The competition is organised by the Polish National Radio Symphony Orchestra in Katowice, in cooperation with the Ministry of Culture and National Heritage the City of Katowice Polish Radio Karol Szymanowski Academy of Music in Katowice and the Karol Szymanowski Music Society in Zakopane. Another factor of no mean significance is the unique atmosphere of Katowice, a city bustling with surprises and contrasts, successfully redefining its post-industrial identity through music. The participants find great allies in the amazing concert halls of the Karol Szymanowski Academy of Music and the Polish National Radio Symphony Orchestra in Katowice, boasting unique acoustic properties. It is a tribute to music as the spiritual language of the whole humanity. It is a tribute to the phenomenon of Karol Szymanowski and other exquisite artists, ones equally uncompromising as him. The repertoire, selected with great consideration, encourages one to discover music, moving beyond canons and fossilized habits. ![]() The total prize money of nearly 300,000 € as well as invitations to perform in concerts mean that winning the competition might become a transformative moment in each participant’s life. In each category, the participants are judged by a jury made up of the most outstanding personalities of the musical world and listened to by influential critics, agents, media, and warmly supportive audiences. The fifth, special category is the composing competition, taking place a year ahead of the performing competition. The competition takes place every five years in four performing disciplines: piano, violin, string quartet and voice. An opportunity to get international recognition and to win a great prize. ![]() An opportunity to broaden the scope and increase the momentum of their career. Karol Szymanowski International Music Competition is an opportunity for outstanding young artists. ![]() Honorary Committee Previous editions Contact ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |